I love the quiet little shock of a tiny figure suddenly flipping through the air as if pushed by some secret breeze. Getting that flip to read as a single clean loop — with the thread invisible, the movement smooth and the mechanics entirely hidden in your pocket automaton — takes a mix of...
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DIY Projects
I love tiny theatrical moments — the quiet drama of a stage, the surprise of...
Tutorials
I love photographing small worlds. A tabletop diorama is a stage where light,...
DIY Projects
I love the soft, dreamy look of sun‑bleached cyanotypes — those faded...
Tutorials
I teach a lot of short, pop-up workshops where people of wildly different ages...
I love the small discoveries that happen when you stop to look closely: a brushstroke that becomes a character, a tucked-away tool that solves a problem. Buying a padel racket can feel a little like that—an invitation to experiment, to try shapes,...
I love finding small ways to turn ordinary objects into pockets of surprise. One of my favourite quick transformations is turning a cheap secondhand paperback into a hidden-compartment prop — perfect for pocket-sized theatre, street magic bits, or...
I love tiny scenes that feel larger than life — a single glowing window on a miniature house can turn a shelf into a story. Over the years I've learned that the secret to making a tabletop lightbox feel cinematic isn't an expensive studio kit, but...
I first got hooked on anamorphic illusions when I saw a tiny warped drawing sit up straight only when viewed from a particular angle. There’s something quietly magical about a flattened image that resolves into readable text or a face when you...
When I'm building a tiny paper automaton, a cardboard puppet or a fabric-wrapped wooden prop, the wrong glue can turn a playful afternoon into an exercise in frustration. Over the years I've learned to run a few quick tests before committing to a...
I love the way a well-made prop can tell a story before anyone reads a single word. A sun-faded book cover, a box with flaking paint, or a faded poster edge can instantly place a scene in a different time. Over the years I've experimented with all...
I like small challenges. They force you to make decisions quickly, to invent constraints that sharpen rather than limit, and to find delight in tiny details. Planning a mini exhibition inside a single shoebox is one of my favourite kinds of...
I love telling very small stories that do double duty: they charm the viewer and quietly teach a making technique. A three-panel visual fable is perfect for that. It’s short enough to keep a single, satisfying narrative beat but long enough to...
I love the way ordinary things carry invisible stories: a chipped porcelain button, a length of brass tubing, a toy soldier missing an arm. Turning these found fragments into a sculptural narrative is one of my favorite creative games. It’s equal...
I often get asked how a small idea — a doodle in the corner of my sketchbook — becomes a little mechanical prop that actually moves. Designing tiny paper-and-cardboard mechanisms is one of my favourite ways to combine storytelling and craft: you...